Jaws is a fantastic blockbuster by Steven Spielberg, and premiered in the summer of 1975. It was Spielberg's first major film - most of his work prior to Jaws was direct-to-video short films or television specials. The film is significant for it's difficult production which, in many aspects, ended up improving the film in many ways. Spielberg had wanted to use a mechanical shark that would pop up at key points and scare beach-goers and swimmers. However, the shark failed so many times that several scenes were rewritten to make the shark more of an ominous presence ala Alfred Hitchcock's movies rather than a big fake-looking prop. In addition, the filming was set to wrap in 55 days, but the film wasn't complete until after 159 days. This delay actually let the script become more refined, leading to a much more appropriate dialogue and some ad-libbed lines.
In essence, the plot to Jaws sounds more like a B-movie horror than what it has become today. A giant killer shark is terrorizing the beaches of Amity, and three men - Police Chief Martin Brody, an oceanographer named Matt Hooper, and a shark hunter named Quint. They pile into a boat and try to track and kill the shark, nearly dying in the process.
The score for Jaws is fantastic and brands the movie perfectly. It creates suspense and combined with the lack of visual representation of the shark in the film, it fills the viewer with a sense of heavy dread and fear. Without the score, Jaws would almost be comedic due to the lack of fear from the audience and the movie wouldn't have done nearly as well, in my opinion. Spielberg used the disadvantages placed against him to prosper in terms of editing, sound, acting, and camera movement to create an amazing and thrilling blockbuster experience that will not soon be forgotten.
Tuesday, April 23, 2013
Tuesday, April 16, 2013
Oz the Great and Powerful
Oz the Great and Powerful recently premiered in March of 2013 and as a big fan of The Wizard of Oz and Frank L. Baum, I bought a ticket and saw it on opening weekend. Starring James Franco, Mila Kunis, Zach Braff, Michelle Williams, and directed by Sam Raimi, I was actually rather disappointed with this movie. The story is set before the events of the Wizard of Oz movie, and revolves around "Oscar Diggs" also known as "Oz" who is a circus magician who has a penchant for flirting with any woman with a heartbeat. When his circus career begins to experience a decline, he hops a ride in a hot air balloon and gets sucked into a nearby tornado. As he pleads for his life, the wind around him suddenly stops and he lands in the colorful and mysterious land of Oz. It's at this point the film goes from 4:3 format and black & white to 16:9 and overly-saturated with primary colors. It's also at this point that I realized they were really pushing for the "3D" effect of the surrounding flora and wildlife of Oz - much in the same way the original Wizard of Oz was trying to utilize Technicolor with the Munchkinland set and the colorful costumes. Oscar meets Evanora (Mila Kunis) who proclaims that he is a prophetic wizard and insists that she take him to the Emerald City to meet her sister and save their world from the wicked witch. James Franco's character struggles with the lie of pretending that he is a wizard, and Franco does a decent job of pretending to be a scumbag. The characters that we recognized from the original Wizard of Oz universe (such as Glinda the good witch and the wicked witch of the west) are far more bland than they could've been. The whole universe that the story was set in was rather deflated. The fact that there were three warring witches - bestowed with actual magical powers - need Oscar Diggs (very much non-magical) to swoop in and save these poor ladies from each other feels cheap and almost demeaning.
The most disappointing part of the movie was the cheap tricks of visual development over meaningful plot development or production. In the original Wizard of Oz movie, the ending of the movie tied all the elements of the plot together with the main characters in Oz representing real life people in Dorothy's life and giving her the opportunity to appreciate her friends and family more. In Oz the Great and Powerful, this is mostly absent and the story feels somewhat incomplete. The entire movie felt like it was a tech demonstration of the capabilities of CGI and 3D cameras. The wise Good Witch Glinda that we knew is now simpering, whiny, and unable to perform more than a bubble spell. The frightening Wicked Witch of the West who held Dorothy captive in her tower and was prepared to murder her over some slippers now runs from a fight and gets scared by a cloud of smoke. Maybe this movie was geared towards children and I was just duped, or maybe Sam Raimi doesn't care for plot over pretty pretty pictures. Either way, I was rather disappointed with this film and regret paying money to see it.
The most disappointing part of the movie was the cheap tricks of visual development over meaningful plot development or production. In the original Wizard of Oz movie, the ending of the movie tied all the elements of the plot together with the main characters in Oz representing real life people in Dorothy's life and giving her the opportunity to appreciate her friends and family more. In Oz the Great and Powerful, this is mostly absent and the story feels somewhat incomplete. The entire movie felt like it was a tech demonstration of the capabilities of CGI and 3D cameras. The wise Good Witch Glinda that we knew is now simpering, whiny, and unable to perform more than a bubble spell. The frightening Wicked Witch of the West who held Dorothy captive in her tower and was prepared to murder her over some slippers now runs from a fight and gets scared by a cloud of smoke. Maybe this movie was geared towards children and I was just duped, or maybe Sam Raimi doesn't care for plot over pretty pretty pictures. Either way, I was rather disappointed with this film and regret paying money to see it.
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